自本刊于1986年第4期发表郑祖襄同志《“徽”字与徽位》以后,曾在《中国音乐学》上就有关问题进行过热烈的讨论。由于这个学术问题一时不可能有明确的结论;这两年来,仍有些同志在深入研究。所以本刊在上期发表了郑祖襄《三谈“徽”字与微位》一文,现又发表冯洁轩的《徽与琴瑟》,以继续展开争鸣。 Since the publication of Comrade Zheng Zuxiang’s “emblem” character and emblem in the 4th Issue of 1986, he has had heated discussions on the relevant issues in “Chinese Musicology.” There can be no definite conclusion as a result of this academic issue at one time; in the past two years, some comrades still study in depth. Therefore, we published Zheng Zuxiang’s “Three Talking” emblem of “Three Versions of Emblems and Micro-bits” in the last issue. Now we publish Feng Qiuxuan’s “Emblem and Qinqie” to continue the debate.