作为“达达主义”和“超现实主义”这两个艺术运动的领军人物的马科斯·恩斯特,其作品的形式语言可谓是独树一帜,然而这种独特的艺术形式体味于画家对抽象图案和空间次序化的拼贴等元素有意味的形式组合,使其作品不仅有装饰性,同时还富含一种隐喻性和象征性。文章从真实与幻象的交融、绘画与拼贴的共存、具象与抽象的交错、解构与重构的交互四方面对恩斯特的装饰性艺术特色进行了分析。 Marcos Ernst, the leader of two artistic movements, “Dadaism” and “Surrealism,” can be described as unique in the formal language of his work, yet this unique art form is appreciated in The painter’s meaningful combination of abstract motifs and spatially arranged collages makes his work not only decorative but also metaphorical and symbolic. The article analyzes the decorative artistic features of Ernst from four aspects: the blending of reality and illusion, the coexistence of painting and collage, the interaction between figurative and abstract, the deconstruction and reconstruction.