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总结1982年贝鲁特那场惨绝人寰的大屠杀——1000多人殒命——事实上并不需要20多年的时间;或者谁和谁的一生,仅仅需要87分钟?阿里·福尔曼在这部电影的开头说:电影是精神疗法。于是,画笔和动画合成技巧代替了胶片上的鲜血,噩梦变成了简单而直白的虚拟电影场景——这么说,并不意味着《和巴什尔跳华尔兹》用动画的方式来追溯一场劫难就是轻浮的,事实上,它所表现出来的力量,比大多数我们习惯见到的表达苦难和反战思想的电影,都更加令人难以逼视,它使得观众声称自已觉得“双目刺痛、汗流浃背”变得虚伪。
Summary The 1982 Beirut massacre that massacre - more than 1,000 people die - in fact does not require more than 20 years; or who and who’s life, just 87 minutes? Ali Foreman in this movie’s At the beginning, the movie is psychotherapy. As a result, brush and animation synthesis techniques replaced the blood on the film and the nightmare became a straightforward, straightforward virtual movie scene - in this case, it does not mean that “waltz with Bashir” is animated retrospectively The catastrophe is frivolous. In fact, the power it shows is more unpredictable than most of the movies we used to see expressing misgivings and anti-war ideologies. It makes the audience claim that they have “eyes Tingle, sweaty back ”become hypocritical.