长期以来,以墨线为主的造型手段是中国画中最为基本的造型特点。中国绘画对于线条的高度依赖,不仅促成了中国绘画表现方式的定型,也促成了中国绘画特有的艺术观念的形成。宗白华、李泽厚等美学大家都普遍认为,中国艺术是“线”的艺术,中国画的魅力在线条运用方面得到最为突出的体现。“线”是点运动的轨迹,点移动而生线。线的内在张力,源于运动。线的魅力在于用笔的力度不同和线条方向变化所产生的内在张力。线的创造,从一开始就不是对客观物象的表面模仿,而是以 For a long time, ink-based modeling is the most basic modeling features in Chinese painting. The high dependence of Chinese painting on the lines not only contributed to the stereotyping of Chinese painting modes of expression but also contributed to the formation of the unique artistic concept of Chinese painting. Zong Baihua, Li Zehou and other aesthetics all generally believe that Chinese art is the art of “line ”, and the charm of Chinese painting is most prominent in terms of the use of lines. “Line ” is the point of the trajectory of movement, point moving line. The inner tension of the thread, from the movement. The charm of the line lies in the internal tension generated by the different intensity of the pen and the change of the direction of the line. The creation of a line, from the very beginning, is not the imitation of the surface of objective objects, but rather