“立意”是一部艺术作品的主脑 ,没有一种艺术可以宣称不追求深刻的立意 ,然而 ,我们谈的导演对一部戏剧的立意 ,与其它艺术作品的立意不尽相同。是一种作为二度创作者导演 ,对剧本的重新诠释 ,是导演赋予作品的“形象化的思想立意”。它是统一舞台各个创作部门的灵魂 ,决定着未来演出的风格和样式 ;能否准确地技到一部戏剧中的“形象化的思想立意”是一个导演高层次的美学追求。 “Conception” is the mastermind of a work of art. No art can claim that it does not pursue a profound conception. However, the conception of a director we talk about is different from the conception of other works of art. Is a director as a second creator, the reinterpretation of the script is directed by the director of the work of the “image of the ideological conception.” It is the soul of all the creative departments of the unified stage and determines the style and style of future performances. Whether the “visual ideological conception” in a drama can be accurately mastered is a high-level aesthetic pursuit of a director.