本文认为,汉诗学的成熟,离不开学界对于诗艺民族特质的把握,也离不开诗坛对于汉字文化品格的感悟。所谓“字思维学说”,即是一种立足于汉字审美文化的诗性语言观念,它实与石虎的书画艺术体验若合符契。因而“字思维”的意义不仅在于如何表现华文诗人的艺术天性,同时也在于如何认知中华民族的文化意向。在华夏民族语言的延续与发展过程中,诗人始终要面对中华民族的 This paper argues that the maturity of Chinese poetics can not be separated from the mastery of poetic ethnics by the academia, and it is also inseparable from the poetry world’s sentiment about the cultural character of Chinese characters. The so-called “word thinking theory”, that is, a poetic language concept based on the aesthetic culture of Chinese characters, is actually in line with the cultural experience of stone tiger painting and calligraphy. Therefore, the meaning of “word thinking” lies not only in how to express the artistic nature of Chinese poets but also in how to recognize the cultural intentions of the Chinese nation. In the continuation and development of the Chinese language, the poet always faces the Chinese nation