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去年,在“流行书风”的争论中,有关报刊和一批流行书法的探索者,举办了一次颇具规模的“流行书风提名展”。展览取得什么效果,一时还看不出,“流行”书风会不会成为书法艺术的主流,乃至升华、沉淀为一种传统,也很难说。但有一点是明白无误的,那就是它引起了人们对书法界的现状和未来的关切与思考。笔者不揣浅陋,略陈一孔之见,以期引玉。
Last year, in the controversy over “Popular Book Style,” a large number of “popular book style nominees” were held in the newspapers and a series of popular calligraphists. What effect does the exhibition achieve, and for a moment still can not see that “Popular” style of calligraphy will not become the mainstream of calligraphy art, even sublimation, precipitation as a tradition, it is hard to say. But one thing is unmistakable, that is, it arouses people’s concern and thinking about the current situation and future of calligraphy. I do not guess humble, slightly Chen a hole opinion, with a view lead jade.