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1971年美国的《艺术新闻》第一期刊登了艺术史家琳达·诺克琳的文章《为什么没有伟大的女艺术家》,这成为女性艺术研究的一个关键事件,女性主义首次在艺术史领域发起对父权的挑战。她质疑传统艺术史书写的合法性,希望恢复女性艺术家的主体性,从而将女性主义的吁求带入了艺术领域。可以认为,女性艺术是女性主义在艺术领域的具体实践。之于中国,女性主义和女性艺术至今都是未竟而艰难的事业。女性主义和女性艺术关于恢复女性主
The first issue of American Art News in 1971 published the article “Why There is no Great Female Artist” by the art historian Linda Noklin, which became a key event in the study of female art for the first time in the history of art history The challenge to patriarchy. She questioned the legitimacy of traditional art history writing and hoped to restore the subjectivity of female artists, thus bringing the appeal of feminism into the field of art. It can be argued that female art is the concrete practice of feminism in the field of art. In China, the art of feminism and femininity has so far been an unfinished and difficult undertaking. Feminism and female art about the restoration of women