“写生变化”,历来被认为是图案教学中的核心,它表示图案的花纹装饰必须来源于生活。写生和变化是一个不可分割的整体。写生为变化做准备,变化必须依赖于“写生”所得。广义地说,两者之间的关系,包含着艺术家创作过程的全部。观察是认识客观事物的关键从现代设计的要求来看,工艺美术设计家需要关心和观察的范围,远比过去理解的概念要深得多。从人们对生活的需要和心理要求,新材料、新工艺的发现,试制和运用,到市场情况,都必须进行密切关注和深刻洞察。观察,既要总观全貌,又不能忽视关键性的细节;要牢牢把握整体与局部的关系。只有“写生”时把客观对象 “Sketching change” has always been regarded as the core of the pattern teaching, which means that the pattern decoration of the pattern must come from life. Sketch and change are an indivisible whole. Sketching in preparation for change, change must rely on “sketch” income. Broadly speaking, the relationship between the two contains all of the artist’s creative process. Observation is the key to understanding the objective things From the requirements of modern design, arts and crafts designers need to care about and observe the range, much more than the concept of the past to understand. From the people’s life needs and psychological requirements, the discovery of new materials and new technology, trial production and use, to the market situation, must be closely watched and profound insight. Observation, we must not only view the overall picture, but also can not ignore the key details; to firmly grasp the overall and local relations. Only the “sketch” when the objective object