王朝闻先生曾在论及潘天寿先生的绘画思想时,将潘天寿的画论大致分为三个具有相互关联的部分,即论述人品和画品的关系、心源和造化的关系、创造与继承的关系。我同意这样的分类,当然还应该加上绘画理论与创作实践的关系,这样会更加完整。王朝闻先生着重理论研究,我本身更注重绘画实践,自然也就更关注在理论与绘画的关系及其相互作用方面的诸多问题。 When referring to Mr. Pan Tianshou’s painting ideas, Mr. Wang Chaowen divided Pan Tianshou’s painting theory into three interrelated parts: the relationship between character and painting, the relationship between heart and creation, and the creation Relationship with inheritance. I agree with this classification, of course, should also add the relationship between painting theory and creative practice, it will be more complete. Wang Chaowen focuses on theoretical research, and I pay more attention to the practice of painting itself. I naturally pay more attention to many problems in the relationship between theory and painting and their interaction.