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在20世纪俄罗斯戏剧发展和文学谱系中,“当代”的概念内涵与意义所指,既有相对固定性,又有当下流动性。按照中俄学术界的不同认知,“当代俄罗斯戏剧”指涉有二,指1950/1980年代中期至今在俄罗斯地理空间和文化空间内,发生的具有审美特质的文学现象和演剧实践、具有历史表征的精神现象和思想行为。“当代”概念的内涵指涉,不仅是一个知识考掘式的技术性时间概念,也是一种思想辨析式的认知方法和话语体系。作为方法和话语的“当代”概念,不仅显示出俄罗斯文学的生存时空和发展语境,而且彰显着当代学者返回历史语境,探寻文学的自主性和主体性的艰辛努力。由此,对俄罗斯戏剧和文学研究而言,“当代”概念给我们的思想启示主要有四:既要设立合理的时间谱系,又要落实具体的文化空间;既要设定独立的历史观念,又要转换文学的研究模式。
In the 20th century Russian drama development and literary pedigree, the connotation and meaning of “contemporary” refers to both the relative permanence and the current mobility. According to the different perceptions of the Chinese and Russian academics, “contemporary Russian drama” refers to the second, refers to the aesthetic phenomenon of literary phenomena and dramatic practice that took place in Russia’s geospatial and cultural space from the mid-1950s to the present 1980s , With the historical manifestations of the mental phenomena and ideological behavior. The connotation of the concept of “contemporary” is not only a concept of technical time for knowledge exploration but also a cognitive method and discourse system of ideological discrimination. As the “contemporary” concept of method and discourse, it not only shows the living space and development context of Russian literature, but also shows the arduous efforts of contemporary scholars to return to the historical context and explore the autonomy and subjectivity of literature. Thus, for Russian drama and literary studies, the concept of “contemporary ” has four main implications for our thinking: it is necessary to establish a reasonable pedigree of time and to implement concrete cultural space; it is necessary to set an independent history Concept, but also to change the mode of study of literature.