论文部分内容阅读
本文通过追溯台湾地区舞蹈的发展轨迹,从以下四个方面探寻闽台舞蹈互动融合的关系:史前至今原住民舞蹈与古闽越文化的亲缘关系;明清时期以闽地区汉族移民为主体的闽台舞蹈文化体系;日据时期闽台同步发展的中断与民众对传统艺术的自觉守护;20世纪50年代以来“中华经典、民俗传统并存”的舞蹈文化建构,以期厘清台湾地区传统舞蹈的史实脉络,阐明中华舞蹈文化主要经由福建移植台湾地区,两岸长期互动,在同中有异的张力中共创闽台区域舞蹈文化共体。
By tracing the development track of dance in Taiwan, this paper probes into the interactive fusion of dance between Fujian and Taiwan from the following four aspects: the affinity between the Aboriginal dance and the culture of ancient Fujian and Vietnam from prehistory to the present, the relationship between Min-emigration and immigrants in the Min area in the Ming and Qing Dynasties Taiwan dance culture system; the interruption of Fujian and Taiwan’s simultaneous development during the period of Japanese occupation and the conscious guardianship of traditional arts by the public; the construction of the dance culture of “Chinese classical traditions and folk traditions co-existed” since the 1950s with a view to clarifying the traditional dance in Taiwan The historical facts show that Chinese dance culture is mainly made through the long-term interaction between Taiwan’s transplanting in Taiwan and the two sides of the strait in Fujian Province. In the same tension, they jointly create the dance and cultural community in Fujian and Taiwan.