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在国家京剧院现代京剧《西安事变》排练现场,京剧老生于魁智穿上少帅张学良服装走上舞台,习惯性地审视一下舞台,忽然觉得有些地方不太对。凭借多年的舞台经验,他觉得舞台上的“墙壁”多移出来了几公分,这会影响三楼边座观众的视线,于是马上叫停,让人把“墙壁”后退到合适的位置。虽然京剧《西安事变》已经上演过多次并走进过大学,获得如潮好评,可于魁智和演员们却依旧反复演练,希望用京剧艺术展现八十年前波澜壮阔的历史。现代京剧《西安事变》是国家京剧院的重点原创剧目,以生动的戏剧情节
In the Beijing Peking Opera “Xi’an Incident” rehearsal scene, Peking Opera veterans put on the stage wearing the captaincy Zhang Xueliang’s costume in Quijizi and habitually scrutinized the stage. Suddenly, they felt that some places were not right. With many years of stage experience, he felt that a few centimeters of “wall” on the stage were moved out of the way. This would affect the viewers on the third floor and immediately stopped, allowing people to retract the “wall” to the right s position. Although the Peking opera “Xi’an Incident” has been staged many times and entered the university, received rave reviews, Kui Chi and the actors but still repeated exercises, hoping to use Peking Opera art to demonstrate the magnificent history of 80 years ago. Modern Peking Opera “Xi’an Incident” is the national Peking Opera focused on the original repertoire, vivid dramatic plot