对于京剧《拾玉鐲》,筱翠花先生(于連泉先生的艺名)有他的独特見解。他認为孙玉姣这个人物是个小家碧玉、青春少女,她沒有什么世故,是天真无邪的。她由于父亲亡故,家中只剩母女二人,母亲又好善信佛,天天要到普陀寺听經去,只留她一个人在家,当然她心里很煩悶。而且女孩子大了,母亲对她的終身大事,总是不关心,她就难免有一些“怀春”的情态。对傅朋她是早有耳聞的,心里也很爱慕这样一个有才学的文雅書生,可是傅朋是子袭父职,早就有了官职,所以她又觉得从門第来講,是高攀不上的。在婚姻問題上,孙玉姣就弄成了“高不成,低不就”。可是她却是規規矩矩的孩子。在見到傳朋时,她的心理是非常复杂矛盾的,她又高兴、又惊慌、又害怕、又羞涩。所以这出戏要把孙玉姣演成为很規矩、很正派,連眼神都不許随便乱用,主要的表現一个“羞”字。絕不能把地演得輕浮了。孙玉姣在先一个出場,就要鮮明地交代出地的身分和心情来。她不能一出場就垂头丧气,而是要用此 For the Peking Opera “Picking Up Jade Beads,” Mr. Xiao Cuihua (Mr. Yu Lianquan’s stage name) has his unique opinion. He believes that Sun Yujiao this figure is a small jasper, young girl, she has no life-long, innocent. As a result of her father’s death, she had only two mothers and a woman in her family and her mother was a good faith buddha. Every day she went to Putuo Temple to listen to the sutras, only leaving her alone at home. Of course she felt very depressed. And the big girl, the mother of her life-long event, always do not care, she will inevitably have some “Hua Chun” modality. She was already hearing about Fu-ping and heart very much admired such an elegant and scholarly scholar, but Fu Peng was the son of a father and a long time ago, so she also felt that she was a high-powered one. Up. On the issue of marriage, Sun Jiao Jiao made “high fail, low not on.” But she is a child of lawlessness. In seeing Chuan Peng, her mentality is very complex and contradictory, she was happy, but also panic, but also scared, and shy. Therefore, this play should play Sun Yujiao become very rules, very decent, even the eyes are not allowed to arbitrary use, the main performance of a “shame”. Never play foolishly. Sun Yu Jiao first appearance, we must clearly explain the identity and mood to come. She can not be discouraged by the appearance, but use it