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印度著名戏剧家乌·阿希格的四场话剧《飞》具有引人的艺术魅力,《飞》剧不乏精彩的台词、诗一般的语言、激动人心的情节和洋溢着诗情画意的情境,然而其震撼人心的还不在这里;它的伟力在于成功地塑造了一位具有深刻社会意义的崭新的印度妇女玛娅的艺术形象。当读到结尾,看到玛娅为了维护自己人格上的尊严和赢得真正的自由而痛斥那些灵魂卑下的男人,愤然出走,投入深山林(?)之中的情景,我长时间的静默了,从心灵深处发出了深沉的叹息。
The four drama “Fly” of the famous Indian dramatist U. Ashiger has an attractive artistic charm. The flying drama is full of wonderful lines, poetic language, exciting episodes and poetic scenarios. However, Not so striking; its strength lies in succeeding in shaping the artistic image of a new, Indian woman, Maja, of profound social significance. When I read the end, I saw that in a long time silence, when Maya, in order to defend her personal dignity and win real freedom, denounced those humble men of vile despair and into the deep forests (?), From the depths of the heart issued a deep sigh.