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三岛由纪夫被誉为“日本传统文学的骄子”。三岛既是小说家,同时也是剧作家,他受日本古典文学影响,在其作品中追求艺术至上的古典美,后期的作品有浓厚的唯美主义和民族主义色彩。在三岛大量的文学创作中可以看出他美学思想的两个极端,唯美与暴烈。三岛的压轴之作《丰饶之海》将他的浪漫、唯美与古典主义臻于尽美之境,为三岛的文学生涯画上了句号。本文力求从三岛的代表性作品《丰饶之海》中浅谈其美学思想,力图分析三岛由纪夫怪异的审美情趣和审美指向又是如何构建的。
Mishima Yukio was hailed as “the pride of Japanese traditional literature.” Mishima is both a novelist and a playwright. Influenced by Japanese classical literature, Mishima pursued the artistic supremacy of classical beauty in his works. His later works are rich in aestheticism and nationalism. In Mishima a large number of literary creation can be seen that the two extremes of his aesthetic thought, aesthetic and violent. Mishima’s finale of “sea of abundance” will be his romance, aestheticism and classicism into the perfect environment for Mishima’s literary career come to an end. This article seeks to analyze the aesthetic taste of Mishima Yukio from the representative sea of Mishima and how to construct the aesthetic taste and aesthetic direction of Yukio Mishima.