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立于隋开皇六年(五八六)的《龙藏寺碑》,对初唐楷书风格的形成(尤其是初唐楷书四大家)起到一定的“桥梁”作用,《龙藏寺碑》对于书法发展史上的意义,尤其是对于楷书嬗变轨迹的过程,有其独特的审美价值,此外,《龙藏寺碑》作为隋代楷书的典型代表,其书刻意义极其深远,历代书家亦对《龙藏寺碑》争相椎拓并收藏其拓本,因此,《龙藏寺碑》在书史上的“书刻意义”及“拓本收藏”即是本文研究的重点及意义所在。
The monument of the Longzang Temple standing in the sixth year of Sui Kaihuang (586) played a certain role as a “bridge” in the formation of the style of the regular script in the early Tang Dynasty (especially in the early Tang Dynasty) Temple tablet “has its unique aesthetic value to the development history of calligraphy, especially to the process of the evolution of regular script. In addition,” Longzhong Temple Tablet “, as a typical representative of the regular scriptures of the Sui Dynasty, is extremely profound in book inscription, The calligraphers also vied with each other and searched for the extension of the ”monument of the Longzhai Temple.“ Therefore, ”the meaning of the book“ and ”collection of books" in the history of the book of the Longzangsi monument are the features of this article Focus and meaning lies.