笔者试从狄金森对人生道路的选择和她的婚姻家庭宗教观入手,阐述狄金森的诗歌在强大的男性话语之下以其独特的方式言说自己,穿越女性诗歌“无名”、“无历史”的传统,最终找到自我,成为女性意识觉醒的先声。 The author attempts to start with Dickinson’s choice of life path and her religious view of marriage and family, elaborates Dickinson’s poem under the powerful male discourse in a unique way to speak of himself, through the female poems “anonymous”, “no history” Tradition, eventually find themselves, become the first sound of awakening of female consciousness.