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朝鲜族乞粒舞主要流传于辽宁省桓仁县及本溪东部的横道川六道河等地,有着独特的地域性和广泛的群众性。它充分将“双层舞”和“乞粒”活动中的精华融合在一起,经过历代的洗礼与文化的继承,形成了独具一格的民间艺术形式。它的舞蹈动作可塑性很大,既是规范的又是即兴的,每一个舞蹈动作仅仅是为了娱乐,为了抒发人们的喜悦之情,因此,十分强调通过体态的美感来表现人的情感。它的表演形式,根据具体情况和情绪,具有很强的应变性。这与本地的朝鲜族人民的生活习惯、审美心理、语言表达都有着密不可分的关系。
Korean begging grain dance mainly spread in Huanren County of Liaoning Province and the Hedong River Liuduhe River in the eastern part of Benxi and other places, has a unique geographical and extensive mass. It fully blends the essence of “Double Dance” with the “Begging Grain” activities. After years of baptism and cultural inheritance, it has formed a unique folk art form. Its dance plasticity is great, both norms and improvisations, each dance action only for entertainment, in order to express the joy of people, therefore, attaches great importance to the beauty of body through the performance of human emotions. Its performance form, according to the specific circumstances and emotions, has a strong adaptability. This is closely related to the living habits, aesthetic psychology and language expression of the local Korean people.