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江户时代 ,日本儒学者掀起对中国古典研究热潮 ,探讨宋学 ,促使儒学与神道学融合 ,实现学问日本化 ,同时开展独创性的文学论。以藤原惺窝、林罗山为代表 ,积极肯定宋儒学“陈善闭邪”之说 ,主张文学以劝惩和载道作为最大的目的。以伊藤仁斋、荻生徂徕为代表 ,强调文学不应附加任何伦理价值的判断 ,以人情为本 ,主张“道人情论” ,开始萌生前近代文学思想的诸因素。这一时期以这两大学派为中心 ,展开了“劝善惩恶论”和“道人情论”。
In the Edo period, Japanese Confucians set off a boom in Chinese classical studies, discussed Song studies, promoted the integration of Confucianism and Shintoism, realized the Japaneseization of learning, and carried out original literary theory. Represented by Fujiwara Hokusan and Linluo Mountain, they actively affirmed Song Confucianism’s theory that “Chen Shan closes evil pathways” and advocates that literature should take persuasion and punishment as its greatest purpose. With Ito Renzhai and Ogata as the representative, I emphasize that literature should not attach any judgment of ethical value, and based on human nature, advocate the theory of Taoism and start to embark on the elements of modern literary thought. During this period, the two schools of thought were the centers, and “persuasion, good and punishment, evil theory” and “Taoist feelings” were launched.