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相对于西方美学,中国古代的美学思想多了许多隐秘的色彩,而老庄无疑是其中最具有美学视角的一家。老庄的美学以“道”作为核心,比较集中地阐述了美的问题。就庄子在《庄子》中展现的美学思想而言,虽然“心斋”“坐忘”“自然”“虚静”“神游”“无为”“道”等概念层出不穷,但却构成了一个完整的美学体系,而“虚静”正是这一美学体系中的枢纽。本文以《庄子》为依据,从美学本质、美学形态和美学心态三方面阐述庄子的“虚静”美学观。
Compared with Western aesthetics, ancient Chinese aesthetics has many secrets, and Laozhuang is undoubtedly one of the most aesthetic perspectives. Laozhuang’s aesthetics uses “Tao ” as its core, and expounds the issue of beauty more concentratedly. In terms of Zhuangzi’s aesthetic ideas in Chuang-tzu, although the content of “Zhuangzi” Road “and other concepts after another, but it constitutes a complete system of aesthetics, and” quiet “is the hub of this aesthetic system. Based on ”Zhuangzi“, this article elaborates Zhuangzi ’s aesthetic philosophy of ”quietness and tranquility" from the aspects of aesthetics, aesthetics and aesthetics.