樊圻,绘画面貌较为多样的清代画家。我国的山水画在清代比较发达,这与文人的山林隐逸思想有关。这种思想,在当时既包含爱国、爱好山川的感情,也包含着对人生消极的看法。如清代“金陵八家”之一樊圻所描绘的《溪山无尽图册》(六页),既生动地写出了江南山川之美,也流露出悠然世外的恬静之情。 Fan 圻, a more diverse painting Qing Dynasty painter. The landscape painting in our country was relatively developed in the Qing Dynasty, which was related to the seclusion of the literati in the mountains. At the time, this idea contained both feelings of patriotism and love of mountains and also contained negative views on life. For example, the “Eternal Atlas of the Mountain” (six pages), depicted by Fan Yong, one of the eight Jinling emperors of the Qing Dynasty, vividly portrays the beauty of mountains and rivers in the south and reveals the tranquility of the outside world.