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这些年国内戏剧理论领域盛行一种观点,即所谓离弃文学是当代世界戏剧的潮流。体现在创作实践中,则是文学在剧场中被逐渐地边缘化,甚至被离弃。诚然,西方戏剧自20世纪30年代的阿尔托和布莱希特以来,导演和表演在现代剧场中确实占据越来越重要的地位,而不单单是语言为中心的文学。这本来是一个接近戏剧本体的合理的发展趋势,但合理的事物如被强调到极端就会走向反面。近些年来我国戏剧演出市场中,北京、上海等地的舞台上不乏各种
In recent years, there has been a widespread theory in the field of drama theory that the so-called abandonment of literature is the trend of contemporary world drama. Reflected in the practice of writing is that literature is gradually marginalized in the theater and even abandoned. It is true that since the Western drama of Alto and Brecht in the 1930s, directors and performances do play an increasingly important role in modern theater, not just language-centric literature. This would have been a reasonable development trend close to the ontology of the theater, but reasonable things would be negative if emphasized to the extreme. In recent years, China’s theater market, Beijing, Shanghai and other places there are many different types of stage