20世纪后期,日本逐渐进入后资本主义状态,社会矛盾趋缓,“社会派”电影几乎绝迹,取而代之的是对日本传统共同体解体的担心和对日本未来的焦虑,对“昭和时代”回顾与怀旧的主题越来越多地浮出水面。进入21世纪,日本左右分明的社会阵容早已荡然无存。本文试图通过宫崎骏、佐藤纯弥、筱田正浩等3位立场、角度有所不同,但又彼此关联的重要导演及其在21世纪初完成的代表性作品的分析,找到一个通过电影了解日本社会意识变化的切入点。 In the late twentieth century, Japan gradually entered the post-capitalist state and its social contractions slowed down. The “socialist” film almost disappeared. Instead, it was worried about the disintegration of Japan’s traditional community and its anxiety over Japan’s future. The review of the “Showa era” and its nostalgia The theme is more and more surfaced. Into the 21st century, Japan’s social structure has been around for some time gone. This article tries to find out an important movie about the Japan (Japan) through movie, through the analysis of three important directors with Miyazaki Hayao, Sato Jun Miu and Shinoda Masahiro, who have different perspectives but are related to each other and their representative works completed in the early 21st century. The starting point for changes in social awareness.