“一夫双美”是明传奇中较为常见的一种婚姻模式。这虽然与当时社会风气有一定关系,但是在很大程度上体现了明代文人独特的情感价值取向。《六十种曲》中就出现较多“一夫双美”式的婚姻,大都表现为妻妾夫妇之间关系融洽,美满幸福。“一夫双美”其实是文人风流自赏的理想婚姻追求,表达了他们对妻妾之间和谐相处的向往,以及对夫权的绝对维护。 “Double Happiness” is a more common form of marriage in the Ming legend. Although it has something to do with the social ethos of the time, it largely reflects the unique emotional values ​​of the literati in the Ming Dynasty. “Sixty kinds of music” appeared more “one husband and two beauty ” type of marriage, mostly manifested as wives and concubines, the relationship between the harmonious, happy. “Double Happiness” is actually the pursuit of ideal marriage of intellectuals, expressing their longing for harmonious coexistence between wives and concubines, as well as the absolute safeguard of their husbands’ rights.