《血火征程》(张玮同志总导演、中国评剧院演出)是一出革命战争题材的评剧现代折子戏。组成《血》剧的四个段落,从不同的角度、以独特的人物和事件,反映了第二次国内革命战争、抗日战争、解放战争和保卫社会主义四化建设这四个时期革命风貌的某一侧面。《血》剧的演出用精炼的笔墨塑造了一系列光彩照人的人物形象,如《金沙江畔》中的红军老班长,《野火春风斗古城》中的革命母亲杨妈妈,《江姐》中的江姐,《高山下的花环》中的梁大娘……当这些人物一个个地矗立在《血》剧舞台上的时候,我们似乎看到:在他们背后,千千万万的革命先烈正 “Blood and Fire” (Comrade Zhang Wei, director of the General Assembly, China Pingju Theater performances) is a revolutionary war theme Pingju modern break show. The four paragraphs that make up the “blood” drama reflect the four revolutionary manifestations of the Second Revolutionary Civil War, the War of Resistance Against Japan, the War of Liberation and the Safeguard of the Four Modernizations of Socialism from different perspectives and with unique characters and events Some side. The performance of “Blood” drama created a series of brilliant figures with refined brushwork, such as the old squad leader of the Red Army in “The banks of the Jinsha River”, Yang Mama, the revolutionary mother in the “Wild Fire Spring City”, “Jiang Jie” Jiang Jie, Liang Aiang in “The Wreath Under the Mountain” ... When these characters stood one by one on the stage of “blood” drama, we seem to see that behind them thousands of revolutionary martyrs are