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观之洋洋文海.或如长空挟电,或如巨澜倒海,或如山溪呜琴.或如(?)水映月.而致使者何故?曹丕用其文气之说作了解说.曹丕在《典论·论文》云:“文以气为主.气之精浊有体,不可力强而致.譬诸音乐、曲度虽均.节奏同检,至于引气不齐.巧拙有素,虽在父兄,不能以移子弟.“其间,曹丕一言一蔽之,将文所显市风彩之因归于一个“气”字.这便是所谓“文气”.而文气所含又有个方面,一者,文中之气,即作品之气;再者,为文者之气.所谓作者之气.且作者之气.决定着作品之气.尤如一道闪电,曹丕的论说,在中国古代文论史上对为文之道作了开创性的揭示.它表明了对文学自主性的认识和高扬.突出了对创作主体的重视,表现出了对阐经载道的传统文学观念的突破,故疲示为魏晋这一文学自觉时期的标志.此后,论文言气者.以气论诗者多矣.刘勰说:“才力居中肇自血气.气以实志.志以定言.吐纳英华,莫非情性.”(《文心雕龙体性》)方东树说:“杜公包括宇宙,含茹古今,全是元气,迥如江河之挟众流,以朝宗于海矣.”“大约飞扬 兀之气,峥嵘飞动之势,一气喷薄,真味盎然,沉郁顿挫,苍凉悲壮,随意下笔而皆具元气,读之而无不感动心脾者.杜公也.”(《昭味詹言》卷一)章学成言:“凡文不足以动人,所以动人者,气也;凡文不足以入人,所以入人者,情也.气积而文昌,
Or the ocean of the ocean. Or as the sky relying on electricity, or as the sea or the sea, or mountains such as Qin Qin. Or such as (?) Water Moon. And so why? Cao Pi said in his tone. Cao Pi at “Code on the paper” cloud: “the main text to the gas. Turbidity of the gas has a body, the force is not strong and strong. For example, the music, although both curvature, rhythm with the seizure, as qi Qi Qi. , Though not in his father and brother, can not move the younger brother. ”In the meantime, Caopi implied a word, the text of the market due to the reason attributed to a“ gas. ”This is the so-called“ Wen Qi. ” On the one hand, one, the gas in the text, that is, the work of the gas; Furthermore, the author of the gas. The so-called author of the gas. And the author of the gas determines the work of the gas, especially as a lightning, Cao Pi’s argument, at In the history of ancient Chinese literary theory, it made a pioneering revelation on the way of writing, which shows the recognition and promotion of literary autonomy, highlights the importance attached to the creative subject, Breakthrough, so the fatigue for the Wei and Jin Dynasties period of this literary symbol of self-consciousness .After that, the essay .When the qi on the poet more carry on .Liu Xun said: The statement .Inner Yinghua, is not emotion. “(” Wen Xin Diao Long body “) Fang Dongshu said:” Du Gong includes the universe, with Ru ancient and modern, all strength, much like the river with the public flow, In order to Zongzong in the sea carry on. “” About flying Wu gas, Zhengrong flew the trend of angry, real flavor, depression setbacks, desolate and tragic, feel free to write down the pen and all strength, Gong also. “(” Zha taste Zhan Yan “Volume I) Zhang Xuecheng said:” Where the text is not enough to move, so moving people, gas also; where the text is not enough to enter, so entrants, love also. ,