2006年5月20日,扬剧被列入国务院批准文化部确定的第一批国家级非物质文化遗产名录。作为江苏三大地方剧种之一,扬剧艺术的理论研究一直显得迟滞,而扬剧又是一个流派较多的剧种。鉴于此,笔者采访了江苏省演艺集团扬剧团国家一级编剧袁振奇和扬剧高派传人徐秀芳,就扬剧中影响巨大的高派艺术进行了广泛而深入的交流。郭进怀:袁团长,您曾与高派创始人高秀英共事,由您参与老艺人整理并执笔、高秀英主演的《断太后》已成为扬剧的经典 May 20, 2006, Yangju was included in the State Council approved the Ministry of Culture approved the first batch of national intangible cultural heritage list. As one of the three major local operas in Jiangsu, the theoretical study of the art of Yangju has always been sluggish. Yangzhou Opera is another drama with more genres. In view of this, the author interviewed Yuan Zhenqi, a national-level screenwriter of the Yangju Group of Jiangsu Provincial Performing Arts Group, and Xu Xiufang, a successor of the Yangshao High School, and conducted extensive and in-depth exchanges on the influential high school art in the play. Guo Jinhuai: Commander Yuan, you had worked with Gao Xiuying, the founder of Gao Faction. You participated in the arrangement and writing of veteran artists. Gao Fuying starred in “Queen Mother” has become a classic of Yang opera