民国时期的杂技表演形式,大体分剧院、堂会、蓬圈、撂地几种,自“五四运动”运动之后,动荡的中国开始了中西文化的交流,中国杂技的表现形式和管理模式,也在相互借鉴中,开始多元化存在。对民国时期的杂技形态的研究十分必要,它直接影响了当今中国杂技的发展脚步。 The forms of acrobatics during the period of the Republic of China were broadly divided into theaters, churches, encirclements and shrines. Since the May 4th Movement, the turbulent China began the exchange of Chinese and Western cultures. The forms and management of Chinese acrobatics Model, but also learn from each other, began to diversify. The research on acrobatics in the period of the Republic of China is very necessary, which has a direct impact on the development of acrobatics in China today.