对元杂剧流派中的案头派做了理论上的定位,并对其内容和艺术风格特点进行了分析。认为这一流派的作品由于作者重视抒情和语言华美,相对轻视情节性因素,因此从整体上看不太适合舞台演出,而更宜于文人案头阅读。 This thesis makes a theoretical position on the desk faction in the genre of Yuan Zaju and analyzes its content and the characteristics of artistic style. Because of the author’s emphasis on lyrical and language gorgeous, relatively underestimate the emotional factors, so it is not suitable for the stage as a whole, but more suitable for literary desk to read.