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全球化时代的中国文学,不仅面临资本、权力的挟持,而且深受日益自我循环、复制的知识生产机制的侵蚀。这是电影《色、戒》带来的独特启示。文学在此不仅一般地指向原创与想象力,还是知识全球化过程一个民族的自我标记。正是在与权力场、资本场的同构与异反,特别是与知识场从未有的分裂与对峙中,该电影同时完成了自身作为文化产品的外部与文艺作品的内部,从而建立了文学场。这标志了中国文学现代性的一个高度。在此,以城市存在感为中心的中国经验表述,特别显示了城市空间巨大的意义生产力,从而为一切寻找、确立自我者开辟了道路。
Chinese literature in the era of globalization is not only confronted by capital and power but also eroded by increasingly self-circulating and duplicated mechanisms of knowledge production. This is a unique inspiration from the movie “Color, Ring”. Literature here refers not only to the originality and imagination, but also to the self-identification of a nation in the process of knowledge globalization. It is in the same field of power and capital that is the same structure and opposite, especially with the field of intelligence never seen in the split and confrontation, while the film completed its own as a cultural product of the internal and external works of art to create Literary field. This marks a high degree of modernity of Chinese literature. Here, the Chinese experience centering on the sense of urban existence shows, in particular, the enormous meaning productivity of urban space and opens the way for all who seek and establish themselves.