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台湾现代诗坛上,痖弦是一员举足轻重的干将,他被誉为《创世纪》的三驾马车之一,与洛夫、张默一道,共同开创了台湾现代诗歌的高峰。痖弦写诗不多,历时十余年的创作仅留下约90首作品,但其影响之大,传诵之广却是有目共睹、众口皆碑的,正如叶珊所言,他的诗在当时“甚至成为一种风尚,一种传说;抄袭模仿的人蜂拥而起,把创造的诗人逼得走投无路。”连余光中、洛夫这样的大家也不例外,或多或少地受到痖弦诗风的感染。痖弦的诗,大体成熟于25岁之后,尤其如《印
In Taiwan’s modern poetry, Fuxian is a key player. He is hailed as one of the three carriages of “Genesis,” and together with Love and Zhang Mo, they have jointly created the peak of modern poetry in Taiwan. There are not many poems written in the string, and about 90 works have been left in the works that lasted more than ten years. However, its influence and reputation are widely known and widely known. As Ye Shan said, his poems are At that time “had even become a fashion, a kind of legend; people copied and imitated swarmed and forced the created poets to lose their way.” Everyone like Yu Guangzhong and Luo Fu was no exception, more or less vulnerable. String poetic infection. The poems are generally mature after the age of 25, especially if they are