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中国版画的发展是从二十世纪三十年代鲁迅先生倡导新兴木刻运动开始的,自此版画在国内作为一门新兴艺术登上历史舞台。此后版画的发展和我国的政治、经济和生活息息相关。改革开放以来,版画受“八五”学潮和西方艺术思想的影响成多元化发展。目前广西版画创作和发展程度与其他省份相比还有较大的差距。在这种情况下,我们有必要结合本土美术发展特点找出广西版画目前所处的优势和劣势,并试探其未来发展的方向。
The development of Chinese prints began with the promotion of the emerging woodcut by Mr. Lu Xun in the 1930s, and since then the print has boarded the historical stage in China as a new art. Since then, the development of prints has been closely linked with our country’s politics, economy and life. Since the reform and opening up, printmaking has been influenced by the trend of “Eighth Five-Year Plan” and western art thoughts into diversified development. At present, the extent of creation and development of printmaking in Guangxi still lags far behind that of other provinces. Under such circumstances, it is necessary for us to find out the current advantages and disadvantages of Guangxi prints in light of the characteristics of local art development and to probe the direction of its future development.