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最早认识向京是在青岛。当时我策划的“中国当代雕塑邀请展”,她是参展的艺术家之一。记得第一次见面时,她瘦瘦的身材,过于纤弱,甚至有些嶙峋。蓬松的头发映衬着她的眼睛,显得有些太大,在青岛的海风吹拂下,有种神神经经的“飘仙”感觉,但说起话来又有些腼腆和羞怯的神态。那时她作品基本表现的是以都市女孩日常的生存状态为主,或者说是她在北京都市自我成长的经验和生存的某种写照。突出的感觉是带有一种青春的记忆与伤痛和颓废联系在一起的乖张和扭曲,她在那种情怀之内隐藏的伤痛感塑造得相当细致,使记忆的意味多了一层伤感的情调。
The earliest known to Beijing is in Qingdao. At that time, I curated “China Contemporary Sculpture Invitational Exhibition” and she was one of the participating artists. I remember the first time she met her thin figure, too delicate, and even some stupid. Fluffy hair against the background of her eyes, it seems a bit too big, in the sea breeze in Qingdao, there is a kind of nerve nerve “floating immortal” feeling, but to talk a bit shy and shy look. At that time, her works mainly reflected the daily living status of urban girls, or some portrayal of her experiences of self-growth and living in the urban area of Beijing. The prominent feeling is the perverseness and distortions associated with a youthful memory and pain and decadentness. The sense of sadness she conceals in that mood is rather elaborate, leaving the memory more of a sad Emotions.