论文部分内容阅读
在中国人物画发展的进程中,诗意的表达是一个不可忽视的亮点。当技术的历练练到了一定火候之后,意蕴的表达便成了艺术创作的核心。近世以来,西方写实观念与中国传统人物画的创作理念在几代人物画家的努力下几经磨合,终于逐渐走向和谐。在这个群体中,长安画家刘永杰以其绘画手法的特点和审美理想的回归,给中国人物画的创作提出了新的思路。
In the development of Chinese figure painting, the poetic expression is a highlight that can not be ignored. When the experience of technology has reached a certain level, the expression of meaning becomes the core of artistic creation. Since the modern times, the concept of western realism and the creative concept of Chinese traditional portraits have undergone several attempts by several generations of painters and have finally moved toward harmony. In this group, Chang’an painter Liu Yongjie put forward new ideas for the creation of Chinese figure painting with the characteristics of his painting technique and the return of aesthetic ideal.