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亨利·卡蒂埃—布列松(见本连载之十二)这位黑白摄影大师在他的1952年出版的《决定性瞬间》一书中不无沮丧地指出:“我们只是处在彩色摄影的婴儿期。”因为这个理由,他似乎可以心安理得地放弃对彩色拍摄的探索。 但是,就在他宣布彩色摄影尚不足以成为一种摄影的重要表现媒介的时候,他的一个马格南图片社的同事正在不断地往他的照相机中放进感光度很低的彩色胶卷,然后举起照相机对准了色彩缤纷的“大苹果”——纽约。
Henri Cartier-Bresson (see twelfth in this series) In his book “The Decisive Moment”, published in 1952, the master black-and-white photographer said without hesitation: “We are only in color photography Infancy. ”For this reason, he seems to be able to give up the exploration of color photography in peace of mind. But just as he announced that color photography was not enough to be a major expression medium for photography, one of his colleagues in Magnum Pictures was constantly putting color-sensitive, low-resolution film into his camera, Then raise the camera and aim at the colorful Big Apple - New York.