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20世纪中国文学中反映资本家生活的作品较为少见，其中能够称之为形象的则更少。《子夜》中的吴荪甫，是一般资产者与当时动荡社会结合的产物。30年代作品中民族资本家的形象，大体与吴荪甫相似，除了对其反动特性描写外，大都着眼于其受到来自国内国外势力的压迫而导致破产，属被同情的悲剧人物。解放后期，周而复《上海的早晨》是集中描写这一时段资本家被改造后融入新的社会这一过程中充满不安、躁动、抗拒，乃至绝望等行为心态的成功的作品。新时期之后，一些反映商业生活的作品，也曾少量涉及新兴资产者，但这类人物面目尚难廓清；与此同时，另一些描写解放前资本家的作品也开始出现，并衍发了大量影视文学作品。值得一提的，是《最后的资本家》中的袭建业，其独特的资本家品性同普通人的爱国热情相结合，是这一形象的可亲可敬之处。
The works reflecting the life of capitalists in Chinese literature in the 20th century are rarer, and the less can be called as images. Wu Sun-fu in “Midnight” is a product of a combination of general assets and then unstable society. In the 1930s, the image of national capitalists was similar to that of Wu Sin-fu, except for the description of the reactionary features. Mostly, they focused on the tragedy who was oppressed by domestic and foreign forces and was a victim of being sympathetic. In the later period of liberation, Zhou’s morning “Shanghai Morning” is a successful work that focuses on the state of mindset such as uneasiness, restlessness, resistance, and even hopelessness in the process of capitalist integration into a new society during this period. After the new period, some works reflecting commercial life, but also a small amount of those involved in emerging assets, but such characters are still hard to find out. At the same time, other works describing pre-liberation capitalists began to appear and a large number of films and television programs literature. It is worth mentioning that the construction of industry in the “Last Capitalist” and the combination of its unique capitalist character with the patriotic enthusiasm of ordinary people are demeanor of this image.