小楷《画论》数则条幅(局部)　姜海龙(山东):在印花熟笺上书写小楷,需要有较为稳定的手感。从此幅作品看,用笔熟练、平实,字法较稳定。但通篇较满,行气不通,让人有目不暇接之感。小字须精巧,点画拆得开方显精巧。否则大局势到小局势皆滞塞也,滞塞而难生化机,不见性灵。以作者现有的基础, Small letters “Painting” a few strokes (local) Jiang Hailong (Shandong): Printed on the written 楷小, need a more stable feel. Seen from this piece of work, with a pen skilled, flat, more stable lettering. But the whole passage is full, out of breath, people dizzying sense. Small print must be exquisite, dotted open the square was clever. Otherwise, the overall situation is still sluggish to the small situation also, sluggish and difficult biochemical machine, but no spirituality. Based on the author’s existing foundation,