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1911年清朝覆亡后,新型学校纷纷建立,推动了中国的科学、经济、政治和军事的现代化进程,传统中国画被看作当时主要的批判对象儒家文化的象征之一,受到了思想文化艺术界革新派的激烈批评。20世纪20和30年代,国画实践的重振及具有强烈文化民族主义特征的新国画的建构成为中国现代化进程的一个重要组成部分,体现了其特有的现代性。生于20世纪初年的张书旃就是这个新型的现代国画的建构进程的重要参与者。
After the fall of the Qing Dynasty in 1911, new schools were established one after another to promote the process of China’s modernization of science, economy, politics and military. Traditional Chinese painting was regarded as one of the major symbols of Confucianism at that time, and was reformed by the ideological, cultural and artistic circles School fierce criticism. The revival of the practice of Chinese painting and the construction of the new Chinese painting with the characteristics of strong cultural nationalism became an important part of the process of China’s modernization in the 1920s and 1930s and embodied its unique modernity. Born in the early 20th century, Zhang Shuyuan is an important participant in the construction of this new type of modern Chinese painting.