盛唐是中国封建社会发展的顶峰时期,书法艺术的美学精神从中和之美到狂逸天真,书法理论贯穿着浓郁的中国传统文化思想。从魏晋清逸之气的书风到盛唐宽博宏大、超逸曲直的线条,中国书法在互为对立的风格和技巧中,书写着时代对艺术的觉悟和智慧。如果说书法的本质作为侠义的艺术学的基本问题来研究,它因此就构成广义的艺术学研究的对象,从一般意义上说,书法的本性是由艺术的多重维度集合而成。其中包括 The prosperity of Tang Dynasty was the peak period of the development of feudal society in China. The aesthetic spirit of calligraphic art, from the beauty of neutralization to the naive of naive, calligraphic theory runs through rich traditional Chinese culture. From the calligrapy of the Wei and Jin dynasties to the grand and prosperous Tang Dynasty lines, the Chinese calligraphy, written in the style and skill of being opposed to each other, writes about the enlightenment and wisdom of the times on art. If the essence of calligraphy is studied as the basic problem of chivalrous art, it will thus constitute the object of a broad study of art. In a general sense, the nature of calligraphy is a collection of multiple dimensions of art. Including