一、全新的抒情主体 “……重新发现自己,在毁灭的火焰中。” (穆旦《三十诞辰有感》) “有我”与“无我”,“小我”或“大我”,“表现自我”还是“放逐自我”……新诗史上围绕抒情主体的理论论争,及由此产生的种种歧义,至今怕仍是个“剪不断、理还乱”的误区。如果说,“纯粹的自我 First, the new lyric subject “... rediscover yourself in the flames of destruction.” (Mu Dan, “Thirty Have a Birthday”) “With Me” and “Without Me,” “Lesser Me,” or “Big Me” , “Self-expression” or “exile” ... ... the theoretical controversy surrounding the main body of lyricism in the history of new poetry, and the resulting variety of ambiguity, so far it is still a misunderstanding. If you say, "pure self