乡土文化是年画生存的土壤,杨柳青年画依赖于天津的乡土习俗,民俗让杨柳青年画繁荣发展。然而,现在有很多民俗被认为是迷信而消失了,导致人们对年画的需求也少了,年画作为精神寄托的媒介逐渐失去了它的人文功能。另一方面,农村城镇化的建设,乡土环境发生了翻天覆地的变化,乡村的居住环境、生活方式等都发生了变化,这也影响了杨柳青年画的继承和发展。如传统年画中的“缸鱼”题材年画在过去几乎每家每户都需要。每逢过年时各家都将“缸鱼”贴在水缸上方,寓意为吉庆有余。如今天津各县区的村落基本上都通了自来 Local culture is the soil for New Year pictures. The Yangliuqing relies on the local customs in Tianjin, and the folklore makes the Yangliuqing New Year paintings flourish. However, nowadays, many folk beliefs are superstitious and disappear, resulting in less demand for New Year pictures. As a medium for spiritual sustenance, New Year gradually loses its humanistic function. On the other hand, the construction of urbanization in rural areas has undergone tremendous changes in the local environment, and the living environment and way of life in rural areas have all changed. This has also affected the succession and development of the Yangliuqing New Year paintings. Such as the traditional New Year’s picture in the “cylinder fish” New Year pictures in the past almost every household needs. Every New Year when each will be “cylinder fish ” attached to the top of the tank, meaning auspicious more than. Nowadays, the villages in all counties in Tianjin are basically free