吴昌硕早年篆刻以“苍茫斑驳”的钝刀法创作,曾有过因过分为之而导致点画纤弱的弊病,但他广益多师、及时调整,在其篆刻艺术成熟时期呈现出苍茫朴厚的风格;其篆书早年呈现出清丽流美的气息,但并未沿着所谓的“书卷气”风格发展下去。在成熟时期,其篆刻刀法对其篆书的墨法影响至大,从而使得其书法与篆刻乃至绘画都呈现出“老苍”的气息,这既有上述艺术门类相互影响的原因,也与其生活经历以及心性、身份密切关联。 Wu Changshuo early years of carving to “vast mottled ” blunt knife method of creation, there have been due to excessive shortcomings led to weak, but his wide range of masters, timely adjustment, in the mature period of his carving presents a vast park Thick style; the early years of its seal presented a beautiful stream of beauty, but not along the so-called “bookish” style of development. At maturity, the seal engraving method had a great influence on the ink law of its seal script, so that its calligraphy and seal cutting, and even the painting all showed the atmosphere of “old cousin”, which not only had the above-mentioned influence of the art category but also Life experience and heart, identity is closely linked.