作为明清人物画的一个分支,高士画所表现的人物形象不仅是文人超然世外的象征,更是明清时期绘画演变历程的折射。它和其他画科一样,正是明清绘画由文人画向世俗画转型的一个缩影。高士画大多寄寓高洁、脱俗、隐逸的情怀。它往往通过描绘隐士、林泉或历史上有名的高士来寄托作者所思,既是失意文人的精神依托,又是得意文人的精神家园。 As a branch of figure painting in the Ming and Qing dynasties, the image of nobleman is not only a symbol of the transcendental literati, but also a refraction of the evolution of the Ming and Qing dynasties. Like other art departments, it is a microcosm of the transition from the literati painting to the secular painting in the Ming and Qing Dynasties. Coats paintings mostly send noble, refined, hidden feelings. It is often depicted by the hermit, Lin Quan, or historically famous Coach to sustenance the author’s thinking, is not only the spirit of frustrated literati, but also the spiritual home of proud literati.