论文部分内容阅读
蒙古族音乐以及内蒙古民歌对钢琴创作影响较大,具有典型的民族特征,在与西洋技法和乐器的结合实践上,也取得了一定的成就。本文对《安代主题变奏曲之三》的历史背景、演奏技法方面进行分析,重点从演奏的角度出发,论述了该作品的演奏技术、乐曲速度、乐曲力度、触键与音色、踏板的运用方面。通过研究叶尔达的这部变奏曲,可以了解叶尔达创作的一般特点,对于全面掌握叶尔达的作品风格有着极其重要的意义。通过对这部作品的演奏方面的分析与研究,不仅能够有利于我们加深对这部作品的理解,而且可以使我们把握该作品的演奏特点,从而更好的演绎该作品。
Mongolian music and Inner Mongolian folk songs have a great influence on the piano production. They have typical national characteristics. Some achievements have also been made in the practice with Western techniques and musical instruments. This article analyzes the historical background and performance technique of “The Variations of the Andean Theme”, focusing on the playing technique, the playing technique, the speed of the music, the strength of the music, the touch keys, the sound and the pedal. By studying this variation of Yerda, we can understand the general characteristics of Yelta’s creation, which is of great significance for the complete mastery of Yeruda’s style of work. Through the analysis and research on the performance of this work, not only can we deepen the understanding of this work, but also enable us to grasp the performance characteristics of the work so as to better interpret the work.