从元到明是中国篆刻发展史的重要阶段。印章的使用、印谱的编辑、印论的撰写都标志着印章在元代进入了相对活跃的时期。文人由介入印章制作到亲自动手刻印的历史进程,在黄惇《论元代文人印章发展的三个阶段》、周新月《元代篆刻史论》、孙向群《寻找真实的宋元—宋元篆刻家及其审美观的考察》等论文中有较为详细的论述。从元代赵孟頫“元朱文”到明代文彭、何震开辟文人篆刻新时代,中间相隔两百多年。印章品 From Yuan to Ming is an important stage in the history of Chinese carving. The use of the seal, the compilation of the printed book and the writing of the imprint all marked that the seal entered a relatively active period in the Yuan Dynasty. In the process of the historical development of the literati involved in the making of seals and hand-marking, Huang Xun’s “The Three Stages of the Development of the Seal of the Scholars of the Yuan Dynasty”, Zhou Xin Yue’s “History of the Carving of the Yuan Dynasty”, Sun Xiangqun “Looking for the Real Song and Yuan Dynasties - And his aesthetic study ”and other essays in more detail. From the Yuan Dynasty Zhao Mengfu “Yuan Zhu Wen ” to the Ming Dynasty Wen Peng, He Zhen opened up a new era of literati carving, the middle of more than 200 years apart. Chopsticks