20世纪90年代以来,中国纪录片完成了“以词为主,音乐打底”到“以画面语言为主体,辅之以同期声”创作方式的转变,并涌现了大批优秀作品。但仍有一些创作误区还有待突破:好人好事不等于故事,记录了过程不等于拍到了故事,同期采访不等于画面语言,画面晃动不等于纪实等。 Since the 1990s, the Chinese documentary has completed the transformation of the style of writing with the main content of the lyrics, the musical backing, and the graphic language as the mainstay, accompanied by a large number of excellent works. However, there are still some creative errors yet to be solved. Good and good deeds do not equal stories. The process of recording does not mean that the story was captured. The same period of interview is not equal to the language of the picture.