在“文革”前夕诞生的大型泥塑《收租院》最近又引起了艺术界的关注。去年在威尼斯国际双年展上这组作品的被复制与获奖所引起的官司是引起人们对它关注的原因之一 ,而在政治与艺术文化的层面上重新认识这组作品则是更为内在的原因。有人认为 ,“如果揭掉它的时代标签 ,褪掉它 The large clay sculpture “rental house”, which was born on the eve of the “Cultural Revolution”, has recently drawn the attention of the arts community. Last year at the Venice International Biennale this group of works caused by the duplication and award-winning lawsuits is one of the reasons attracted the attention of it, and in the political and artistic culture to re-recognize this group of works is more internal s reason. Some people think, "If you take away the label of its time, fade it