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对已成型的作品进行不同类型的改编、移植,尤其是部分经典的作品被改编、移植为不同种类乐器演奏的版本,或改为人声,或改为乐队等等,都已屡见不鲜,但属于人声范畴的合唱改编虽有但数量却极为在限。文章意在借《阳关三叠》来探讨一下关于合唱改编的相关问题。
It is not uncommon to have different types of adaptations and portraits of already formed works. In particular, some of the classic works have been adapted and transplanted to different types of musical instruments, or have been replaced by vocals or bands. Although the scope of the choral adaptation of the sound but the number is extremely limited. The article intends to use “Yang Guan Triad” to explore the adaptation of chorus related issues.