在将近二百年的京剧史中,唱工花脸不谈其流派师承,只谈其声腔特色,约可分为两个系统。一个是宏厚凝重的系统,始于何桂山,循序为金秀山、刘永春、裘桂仙、讷绍先,郝寿臣、王连浦、马连昆、娄振奎、赵文奎。一个是高亮玲珑的系统,始于穆凤山,循序为郎德山、刘寿峰、刘鸿升、刘永奎、李长胜、董俊峰、王泉奎。对于这两个各有千秋的声腔系统,多少年来的广大听众,也各有偏爱,从被部分听众所偏爱,到获得广大听众之共同喜爱,则始于金少山, In the history of Beijing Opera, which is nearly two hundred years old, the singer did not talk about his genre. He only talked about the features of his voice and can be divided into two systems. One is a thick and solemn system, began in He Guishan, the order of Jin Xiushan, Liu Yongchun, Qiu Guixian, Nesau first, Hao Shouchen, Wang Lian Pu, Malian Kun, Lou Zhenkui, Zhao Wenkui. One is a superb and exquisite system, beginning with Mufeng Mountain, followed by Langde Mountain, Liu Shoufeng, Liu Hongsheng, Liu Yongkui, Li Changsheng, Dong Junfeng and Wang Quankui. For these two different sound system, the majority of listeners over the years also have their own preferences, from being part of the audience preferred to receive the general audience favorite, then began in Jinshan,